Life Drawing

Just some life drawing from this semester.

James Bennett

The only finished thing I've drawn for a while is a picture of my good pal James Bennett.

I'll draw a self-portait next time I want to put off studying for exams.

Apex Project - Part 1

The other project we've got this semester is the Apex Project, a semi-commercial (i.e. for a client, but unpaid) piece of work. We had the choice of two briefs. One was to create two 30-second pieces of animation to be played in the hotel reception on a special three-screen set up. This is to be related to some new branding for the hotel chain, and was intended to be a more abstract piece.

I played around with a couple of ideas involving maps, then star charts and RGB lighting, but this image was as far as I got with that.

Although I'd like to work further on something like this in the future, I didn't feel comfortable enough with this sort of abstract motion graphics subject to pitch it to a client, so I chose to go with the other brief instead. This was to create a 1-minute animation using the Apex hotel chain mascot, a brightly coloured rubber duck, using the theme of one or more of the four seasons.

My initial idea for this brief (after playing around with different ways to draw the duck) was to use the rubber duck itself as a canvas for the animation, rather than a character within it. From there it was a short step to come up with some seasonal imagery than could be painted and then animated on the duck in stop-motion.

Because this technique will be particularly time-consuming, I arranged to work on the project with one of my classmates, Sorcha. The second part of the idea came when we were discussing ideas for the Winter/Spring section and we realised that we could substitute the rubber duck for parts of the film with different models, giving us a lot more flexibility and the ability to physically transform it into different shapes. For example, a snow duck, sand duck and topiary duck:

This helped us create a much more interesting storyboard to pitch to the client, combining painting on the duck with stop-motion animation.

The pitch went well, and we got approval to go ahead with the project. Next we'll work on a finalised, and hopefully improved, version of the storyboards, and do some animation tests to work out how much time in the studio we'll need to realise some of the more complex ideas.

Memory Project - Part 1

As suggested by Jared (the new commander in chief of animation at the ECA), I'm going to post production progress of projects here, along with a bit of commentary about my thought process.

First up is the memory project, where we each record an unrehearsed 30ish second audio clip of ourselves speaking about a memory and then animate visuals to go with the audio using any technique(s) we chose. In my case the memory that came out was about my first pet - A rat called Marzipan.

Thankfully, I had a fairly clear idea of how I wanted to animate it. Since I didn't say anything particularly interesting, and there was no real story in what I said, I needed to find a way for the animation to entertain the viewer. To do this I chose to exaggerate the rat's exploits and, in doing so, to make him the lead character of the film, rather than myself.

The first step (after listening to the recording once or twice) was to sketch out some rats to try and pin down how I wanted him to look. I did these without reference to keep them loose and kept in mind the poses and movements that I wanted to use in the animation.

After that, I scanned the pages in and made a very rough animatic to make sure that the timing would work.

 

Next up: pencil tests.

Bristo Square